<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="6.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ilona Zaderiiy</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">THE LINGUISTIC MEANS OF REPRESANTATION OF SURPRISE (A CASE STUDY OF THE NOVELS BY CHARLES DICKENS)</style></title></titles><keywords><keyword><style  face="normal" font="default" size="100%">the graphic level</style></keyword><keyword><style  face="normal" font="default" size="100%">the lexical means</style></keyword><keyword><style  face="normal" font="default" size="100%">the stylistic devices</style></keyword><keyword><style  face="normal" font="default" size="100%">the surprise</style></keyword><keyword><style  face="normal" font="default" size="100%">the syntax</style></keyword><keyword><style  face="normal" font="default" size="100%">the verbal/non-verbal expression</style></keyword></keywords><dates><year><style  face="normal" font="default" size="100%">2017</style></year></dates><pages><style face="normal" font="default" size="100%">097-101</style></pages><abstract><style face="normal" font="default" size="100%">In the article the specific character of the surprise, as the emotional reaction in communication, is observed. The emphasis is put over the fact, that it is not obligatory expressed by means of the verbal level due to the various cultural and situate peculiarities in the communicational situation. Surprise is the most momentary human emotion, that causes the specific means of its verbal and non-verbal execution. The main way of non-verbal execution of the emotion is mime. Verbally surprise can be expressed only in the smallest communicative unit, expression, which is formed with the help of the two major means of verbal surprise depication: lexico-grammatical and intonational. In the written speech all the named peculiarities of emotion’s formation are conveyed by the graphic means in the direct speech and the lexical units, represented as the author’s comments. In the article the negative as well as the positive semantic features of the emotion surprise are investigated, besides the exposure of the linguistic means of expression this emotion. The article reveals the ways of depiction of this emotion at different levels: graphic, stylistic and lexical. We have come to the conclusion that the linguistic means of expression the surprise in fiction by Charles Dickens are different enough and describe aptly the emotional state of protagonists in accordance with the context.</style></abstract><orig-pub><style face="normal" font="default" size="100%">Англійська</style></orig-pub></record></records></xml>